Grace Kelly
Cover Grace Kelly (Photo: courtesy of the artist)
Grace Kelly

Korean American jazz musician Grace Kelly, who will bring her sensational saxophone music to Hong Kong for the first time, talks about female representation in the industry and how she relates to the Princess of Monaco

Don’t confuse Korean American jazz musician Grace Kelly with the Hollywood film star Grace Kelly. However, while the 32-year-old saxophonist and singer (born Grace Chung) isn’t related to the Princess of Monaco, she is a celebrated figure in the jazz industry in her own right.

It all started in 2007, when Kelly, then just 14, played an original composition as a soloist with the Boston Pops, an American orchestra specialising in light classical and jazz music. Two years later, she was discovered by nine-time Grammy-winning jazz musician Wynton Marsalis at a jamming session in Roth’s Steakhouse in New York City. He invited her to perform alongside jazz icon Dave Brubeck at Barack Obama’s inauguration at the Kennedy Centre.

Since then, the Berklee College graduate has gone on to create 15 albums and collaborate with major stars such as Gloria Estefan, Questlove and Huey Lewis. Kelly is a three-time Jazz Artist of the Year at the Boston Music Awards and has been named Alto Saxophonist of the Year by American jazz and blues magazine DownBeat’s critics poll for nine consecutive years.

Kelly is also an industry pioneer for creating a new genre called the electro jazz-pop, which she describes as “bringing all of those worlds of jazz, electronic music like those by Zedd & Skrillex, great DJs like Sophie Tucker together in my style”.

She is in Hong Kong for the first time for a one-night-only concert happening today (September 25, 2024) at Xiqu Centre, where she will perform her originals from All That I Need (2022) and Kelly with Strings: At the Movies (2024).

Tatler catches up with her on all things jazz ahead of her concert.

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Tatler Asia
Grace Kelly
Above Grace Kelly (Photo: courtesy of the artist)
Grace Kelly

What inspired you to pursue music as a career in the first place?
My mother is a big fan of the live arts, especially Broadway. As a young girl, my parents would take me and my sister to New York City to see some of the greatest Broadway shows, like The Lion King and Les Miserables. My mum’s side of the family has some amazing musicians. My grandma was a classically trained pianist. My aunt is a classically trained violinist. So I’m not an oddball. When I was six or seven years old, I fell in love with playing the piano and singing and writing songs. Later, I found and grew obsessed with the saxophone. When I turned 12, I found myself already performing professionally and recording my first album, and it just snowballed from there. It’s been a real blessing.

How did the name Grace Kelly come about?
My stepfather, Bob Kelly, adopted me at a young age. He is a fan of classic cinema. I was six or seven years old when I first saw Princess Grace Kelly onscreen, in the musical High Society (1956). I was so in love with her. I went to kindergarten the next day and told my teachers I was Princess Grace Kelly. I think it was her pure elegance and the way that she could hold herself and deliver her lines. I feel synchronicity with that elegant part of her. And I think there’s a real timeless, elegant quality to jazz music. I would like to bring her aura and spirit to this latest movie album project of mine, which celebrates my love of movie music with a gorgeous string ensemble.

Tatler Asia
Grace Kelly
Above Grace Kelly performing at a concert (Photo: Instagram/Grace Kelly)
Grace Kelly

At 14, you performed an original composition with Boston pubs. At 16, you performed in front of Barack Obama for his inauguration. Was it more pressure or fun for you?
These were like pinch-me moments that you couldn’t plan, and you could only hope that all the practice paid off, and I was just in the moment.

How has your career evolved since then?
It’s the job of an artist to continue to evolve. For me, it’s been about listening to a lot of different styles of music: jazz, Broadway, classical music, pop music, rock, metal, Delta blues and the gritty stuff with a blues mentor of mine who played the harmonica and studied with [American blues harmonica player] James Cotton, who played with Muddy Waters [a key figure in post-World War II electric blues]. After taking in all these genres, I create my work from that.

Tatler Asia
Grace Kelly
Above Grace Kelly performing at a concert (Photo: Instagram/Grace Kelly)
Grace Kelly

What are your thoughts on the impact of AI on the industry?
It’s incredible what AI is doing. There are AI music programmes that generate hundreds or thousands of melodies. You can’t even compete with what the computer can do, but we can adapt to it and learn to figure out new ways of collaboration. I think we should embrace it.

Is the jazz industry an inclusive space for women?
I didn’t realise it was such a male-dominated field. When I was in middle school at the age of 10, I was in some of these jazz programmes [in the US], and I was the only girl with 15 guys. It was kind of intimidating. As a young girl starting to learn the saxophone, I didn’t have any role models at the time who were women playing jazz or the saxophone. [It wasn’t until later that] I learned of my heroes, such as drummer and producer Terri Lyne Carrington, [bassist and singer] Esperanza Spalding, [who are] incredible women paving their way in jazz.

There’s work to be done to give women more opportunities in the industry. But we’ve been making some good progress. Recently, I’ve gone to some high schools and universities where I’ve seen a majority of the saxophone section being women. That’s exciting to see. It’s beautiful when I see concert producers and fans curating and supporting all these different voices and identities in the music industry.

Read more: Threat or opportunity? Hong Kong AI artists evaluate their roles and chances against machine learning

Advice for aspiring jazz musicians?
One of my favourite things to do when I studied at the Berklee College of Music was bringing my saxophone to jam with bluegrass musicians or be in a room with people playing different styles of music. It forced me to get outside of my comfort zone. Something new will always come when you’re outside of your comfort zone.

Beyond music, what do you look forward to the most during your visit to Hong Kong?
I’m a big foodie, so I’m excited to experience some Hong Kong staple dishes and to meet the people there.

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