Tatler’s October cover star, actor and celebrated Hong Kong icon Carina Lau, reflects on her enduring courage and provides her insights on what it takes to navigate stardom with grace and authenticity
In late July, Taiwan weathered the most powerful typhoon of the year to date, and the island came to a complete standstill.
Well, not quite complete: a slew of A-list celebrities arrived in Taipei to view Chanel’s latest high jewellery collection, Haute Joaillerie Sport, the first showcase of the new creations outside Europe. Among them was jewellery connoisseur and Tatler’s October cover star, Hong Kong actor Carina Lau.
In stark contrast to the raging tempest that had preceded the event, Lau arrived at our shoot exuding her characteristic grace. It was her first trip to the island in a long while, she told us—“I can’t wait to taste all the nostalgic flavours and see some old friends,” she said— and she was excited to have had the opportunity to see the high jewellery up close and personal.
As a jewellery enthusiast, Lau is no stranger to exquisite pieces and precious stones. “As we mature, our approach to jewellery evolves,” she says after her first glimpse of the extensive collection. “Personally, I prioritise quality and design above all. I seek pieces that aren’t confined to a safe but can be actively enjoyed.” The Chanel Graphic Line ring, one of the collection’s masterpieces, embodies this philosophy perfectly.


“The design exemplifies adaptability, effortlessly transitioning between formal occasions and casual settings,” Lau explains. “Such versatile creations, I believe, resonate perfectly with the rhythm of contemporary life, offering both elegance and practicality.”
The collection, which draws inspiration from the spirit of sport, also speaks to her on a personal level. “There’s an inherent dynamism in these pieces,” she observes, her eyes gleaming with appreciation. “They capture the essence of motion while maintaining that unmistakable Chanel elegance. It’s a delicate balance, much like the multifaceted roles we navigate in life.”
The actor knows a thing or two about playing roles. She joined TVB’s artist training programme in 1983 and made her on-screen debut in 1984 sci-fi series The Clones. She followed this with a major role in cop drama Police Cadet ’84, starring alongside her future husband Tony Leung Chiu-wai, as well as Maggie Cheung and Sean Lau. She worked consistently through the Eighties, but it was the 1989 hit series Looking Back in Anger that solidified her popularity.
Lau’s transition to film, though, proved she had acting chops and brought her significant critical acclaim. Her breakthrough came with Wong Kar-wai’s Days of Being Wild (1991)—her portrayal of Mimi, Leslie Cheung’s character’s girlfriend, earned her the Best Actress award at French film festival the Nantes Three Continents Festival and nominations for the same prize at the Hong Kong Film Awards and Taiwan’s Golden Horse Awards.